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Canon fodder
Edgar has always been the odd man out in the Puccini canon, lying well outside the standard rep. The recent discovery of forty minutes of additional music is likely to do little to change that, but the...
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An opening for a princess
I’m sure I do not need to tell the mostly New-York based readers of parterre this, but Turandot is an opera that can really be turned into a pageant. Not that that’s a bad thing. It is, after all a...
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Happy endings
Let me take you back, Parterreians, to the spring of 2009. Shortly before the Met’s new La sonnambula opened, murmurings began to be heard, rumors began to circulate. After the open dress rehearsal,...
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Big love
My tolerance for 17th century opera is generally low, but even I can appreciate the value in an underappreciated composer like Francesco Cavalli. One of the most celebrated composers of early Baroque...
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How jolly was my jenkin
I own almost every recording of the 13 operettas Sir Arthur Sullivan wrote with W.S. Gilbert ever made. Twelve Mikados, 14 Pirates of Penzance, 10 Iolanthes, right on down the line to the rarely heard...
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No way, Don José
Andrea Bocelli is a pop singer, and a wildly successful one at that. So why does he feel compelled to pretend to be a dramatic tenor? No one can deny that his voice is actually quite attractive, and...
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Desert island DVD
This is a performance I never thought I’d see. This 2003 Met performance of Ariadne auf Naxos was filmed, but got tied up in some kind of (legal?) dispute and never televised, and I had long written it...
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Gay “Marriage”
These days, when James Levine is mostly in the news due to his back ailments, it is somewhat shocking to see this performance of Le nozze di Figaro begin with the Maestro fairly dancing around on the...
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Tosca divina
This review was not going to be primarily about Shirley Verrett. She is not a singer I am all that familiar with and when I was sent this DVD of Tosca to review a week ago, I focused more on the...
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Cold “Case”
First-time novelist Matthew Gallaway’s ardent love for Tristan and Isolde gushes through every page of The Metropolis Case. According to Gallaway, Tristan is the highest expression of human art, and...
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My God, it’s full of stars!
Ioan Holender was General Manager of the Wiener Staatsoper for nineteen years, the longest anyone has held this post, and the august institution honored him with the gala to end all galas in the final...
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Fresh, direct
Directors love directing Wagner, or rather, they love directing their versions of Wagner. They don’t seem to like the operas very much. We all know what we’re going to see if we travel to Bayreuth or...
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Dream a little dreamboat
Deutsche Grammophon has a new hunk on the market, ignoring the fact that he’s been around for twenty years. Ildebrando d’Arcangelo has been steadily building a career since the early 90s, getting a...
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Bridging the Channel
It’s kind of shocking, when you really think about it, that the kind of international operatic model that the Royal Opera now operates on barely existed only 50 years ago. Until around 1960 most of the...
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Piotr, principally
I first heard Piotr Beczala as Tamino in San Francisco back in 2007, which was not a particularly noteworthy performance. He was fine, he sang very well, and if he walked his way through a 20-year-old...
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